Rather than being muted, gain is distributed equally between all microphones. Up to three devices running TF Editor or StageMix can be connected at the same time. When you need extra precision for a fine EQ or other adjustment, the physical Touch & Turn knob is always available right beside the touch panel. Setups created from the presets or from scratch can be saved as additional presets too. The Tio1608-D preamplifiers can be remotely controlled from a TF series console. No bulky, heavy multi-cables and connector boxes are required. This useful function makes it easy to adjust the level and other parameters of individual channels while using the eight DCA faders for overall mixing. TF1 Pro permet aux professionnels des médias d'accéder à des informations sur les programmes des antennes du Groupe TF1 : grilles, programmes, press kit, etc. The panel consists of three angled sections that give the operator maximum visibility and access. For input channels we prepared more than 200 presets that range from vocals to drum sets. The user only has to set channel gain so that the central green indicator in the level meter remains lit for the longest possible time.

In addition to the onboard presets, new QuickPro Presets™ will be added to the Yamaha Pro Audio website, so be sure to check for updates. ", "Westone is thrilled and honored to have had the opportunity to work with Yamaha and include the presets for our custom-fit and universal-fit in-ear monitors to the TF Series of mixers. Used in conjunction with the Tio1608-D I/O it becomes possible to create a versatile stage box system with up to 48 inputs and 24 outputs. It offers simple operation that is an advantage in busy live sound situations, high reliability, and a comprehensive range of features that provide professional performance and efficiency. It is easy to combine those parameters onto the one screen. Yamaha has always made it a mission to stay in touch with the needs of sound engineers worldwide. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Creativity is most effective when unrestricted, and now Yamaha has created a new digital mixing console that gives the user's intuition even freer rein.

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Advanced Dugan automatic mixing algorithms also maintain a safe feedback margin, ensuring high quality, high clarity sound at all times. A color bar that shows the assigned channel color makes visual navigation a breeze, and prevents confusion when fader banks are changed or scenes are recalled. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. TF1-Cover. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. Live recording capability is becoming increasingly important in live sound systems. There are also four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications. The touch panel itself offers an ideal blend of comprehensive visual feedback and fast response.The physical layout of these components brings everything together in a system that offers surprisingly efficient workflow. Smooth setup and operation, practical presets and scenes, refined design, and software applications that integrate seamlessly with the entire system: these elements comprise TouchFlow Operation, a new concept in console interfaces that offers unprecedented comfort and convenience in small consoles, for a wide range of users and applications. We know that these combinations will help you take your performance to the next level. The contents may not be available in some countries or in local languages. Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems. The availability of physical controls surrounding the touch panel further enhances control versatility and precision. Even veteran engineers need to spend time on these important basic settings. It’s an incredibly powerful solution.”, "True technical innovations melt into the background and simply become part of life. Ample input capacity and hands-on control in a compact console that can handle a wide range of applications. What’s more, basic patches are pre-programmed for fast, easy setup.

Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. Of course the level meters also perform their traditional function, so standard gain setup procedure can be followed if preferred. Mechanical construction, circuit board layout, power supply, grounding, and parts selection have all been executed with meticulous attention to detail and quality, and exhaustive performance and listening tests were carried out at each stage of development. Like the CL series consoles, operation is based around Overview and Selected Channel windows. Yamaha digital consoles have always been designed with input from leading engineers worldwide to ensure that the most efficient, intuitive operation is achieved. From simple 2-track recording using a USB storage device* to all-out multitrack recording with a computer based DAW (Digital Audio Workstation), the TF series is ready to roll. No specialized programming skills are required.

The colors and finishes shown may vary from those on the actual products. The padded cover also features Velcro releases at the rear of the cover to allow use while the TF is connected. In developing the TF series Yamaha engineers built from their existing base of acclaimed high-end mixer interfaces, adding intuitive control in an interface optimized for the type of touch panel control that has become a familiar feature in a wide range of applications.

The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.

Ultimate Ears is honored to share our outboard presets for in-ear monitors. The GROUP bank allows the levels of multiple channels to be controlled from a single DCA fader.

The remaining six Ins FX are available in the AUX 9/10~19/20 master channels for additional signal control ie. The input stage of any console has a notable effect on its sonic character. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Their advice, as well as feedback from engineers in the field, has been unreservedly applied in creating EQ presets for our FitEar custom in-ear monitors. A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob “intensity” control over EQ curves you either select from the presets or create from scratch.But there’s more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size.
When you combine Shure’s 90 years of microphone experience with the versatile new TF digital mixer and exceptional Yamaha speakers, these presets allow engineers at any level of experience to leverage our combined technical expertise for quick, simple and effective sound checks and performances that sound amazing. The display content has been specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing. TF3-Cover. Gain is the first adjustment the input signal sees, and the way it is set up influences how subsequent parameters will affect the signal. The overview display shows the parameters for eight channels at a time, while the Touch & Turn knob provides direct access to gain, 1-knob EQ™, 1-knob COMP™, gate threshold, effect send level, pan, and other parameters. Compact, portable, and even rack mountable, the TF1 offers impressive capability and versatility for smaller systems. In addition to their intuitive user interfaces, TF consoles include a number of features that contribute to faster, smoother setup of these essential parameters.

The Tio1608-D is a Dante equipped I/O rack with 16 microphone/line inputs and 8 line outputs. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. The new GainFinder feature facilitates optimum gain setup for individual input signals so that ideal overall operation and signal quality is achieved.
In addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. The Tio1608-D is a Dante-equipped I/O rack with 16 microphone/ line inputs and 8 line outputs. The Tio1608-D is a Dante-equipped I/O rack with 16 microphone/ line inputs and 8 line outputs. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression. The highly regarded Selected Channel and Centralogic™ interfaces attest to the success of that approach. TF3-Cover. Two INPUT banks and one OUTPUT bank are provided, and the GROUP bank can be selected by pressing both the INPUT bank buttons simultaneously. These preset functions give the sound technician a solid basis to start from. In addition to channel processors, TF consoles feature eight powerful processing/effect units. It can also be used at the console as an extension of the console’s own interface. High input capacity and fader count makes this powerful console ideal for larger applications. The TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names. The complete range of Westone products is represented (we couldn’t be more excited) including our ES Series of custom-fit models, and both the UM Series, and the revolutionary AM Series of passive-ambient monitors. That’s a total of 200 scenes that can be set up and instantly recalled whenever needed.


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